CLIENT: DISNEY / CYCLOPS PRINTWORKS

”“From now on, you must take good care of your toys. Because if you don’t…we’ll find out, Sid.” - Woody

This was a true labor of love and I wanna thank JC Richard and the Cyclops crew as well as Disney for letting me make probably the scariest Toy Story poster ever.

Officially Licensed by Disney
Blacklight Regular Edition of 160
24 x 36 Screen Print
Hand-Numbered / Authenticity Seal

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CLIENT: BLINK-182

Gig Poster for Blink-182’s Performance
in Glasgow, Scotland
09/01/23
18” x 24” Screen Print
BUY NOW

Gig Poster for Blink-182’s Performance
in Barcelona, Spain
10/04/23
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CLIENT: PEARL JAM

Official PEARL JAM Event poster for their show in St. Paul, Minnesota 09 / 03 / 2023

This is for my mom.

18” X 24” SCREENPRINT
w/ Spot UV inks

CLIENT: EDDIE VEDDER

Official EDDIE VEDDER Event Poster for his performance at Ohana Fest 09 / 30 / 2023.

18” X 24” SCREEN PRINT
REGULAR EDITION
ARTIST VARIANT EDITION OF 150

SOLD OUT

CLIENT: A24

”I Let You In”

Official Key Art for the 2023 A24 film “TALK TO ME”

Limited edition fine art print on enhanced matte cover stock with archival inks. Edition of 1000.

SOLD OUT

CLIENT: DANIEL JOHNS / BMG

”I’m not made of stone…Lights shine on their own” - ‘Where Do We Go’ from the album FutureNever.

The above lyric wasnt known to me when I conjured the concept for this album artwork.

Daniel has and continues to be a major influence in my life both artistically and musically. I'm still trying to wrap my brain around how this serendipitous encounter came to be. Something out in the cosmos, maybe. This singular image of a stone relic of Daniel would crack open a faucet of ideas that would keep spilling out of mine and Daniel’s heads. The artwork goes on forever.

This concept runs deep. There are many layers to be peeled back.
But like most art, its better left to interpretation.
This album is a journey and a look inside the brilliant mind of one of modern days greatest musical artists.

BUY, LISTEN & GET LOST IN THE FUTURENEVER NOW

CLIENT: MONDO / WARNER BROS. (2023)

”One thing about living in Santa Carla I never could stomach…all the damn vampires.” - Grandpa

My official poster for the best vampire film ever made - THE LOST BOYS.

This poster will always hold a very special place in my heart. This was my last poster created under the creative direction and collaboration of Rob Jones, Eric Garza and Mitch Putnam at Mondo.

It makes me rather emotional but I can’t think of a better final poster to work on with these 3 amazing brothers of mine.

24“x 36” SCREENPRINT
PRINTED BY DL
REGULAR EDITION OF 275
VARIANT EDITION OF 175

SOLD OUT

CLIENT: LAIKA STUDIOS

”Don’t make me throw this hummus…its spicy!” - Neil

Official Key Art for the ParaNorman 10th Anniversary Theatrical Re-release.

Also released as a Limited Edition poster via MONDO.

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CLIENT: COLLECTIONZZ / THE SMASHING PUMPKINS

Concert Poster for THE SMASHING PUMPKINS in Toronto at ScotiaBank Threatre 2022.

18 “ x 24 ” Offset Lithograph
Limited to 300

18 “ x 24 ” Rare “GOLD FOIL” Screen Print
Limited to 50

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CLIENT: MONDO / DEATH WALTZ

”It looks like people.” - Laura

This art was a collaborative effort between my daughter Ava and I.

Ava often draws alongside me in my studio and more often than not hands me a drawing and says “Here, you can use this for a poster, if you want.” (She’s got her own dedicated flat file drawer for her drawings).

So, it was finally time I took her up on her offer. The smiles she drew in a matter of minutes were delightfully more creepy and more authentic than what I had spent days trying to get to look right.

For this reason alone - this is my favorite thing I have ever done.

And yes…she’s credited in the artwork and signed it herself. 🙃

AVAILABLE FROM MONDOSHOP.COM

CLIENT: MORGAN CREEK / HERO COMPLEX GALLERY

”Amid the chaos of that day, when all I could hear was the thunder of gunshots, and all I could smell was the violence in the air, I look back and am amazed that my thoughts were so clear and true, that three words went through my mind endlessly, repeating themselves like a broken record: you're so cool, you're so cool, you're so cool.” - Alabama Worley

Officially Licensed Poster & Art Print for one of my all-time favorite films TRUE ROMANCE.

BUY REGULAR EDITION

BUY VARIANT EDITION (Artist Proofs coming soon)

BUY “LIKE A NINJA” GICLEE

CLIENT: BNG / COMPASS INTL

”This isn't a man.” - Dr. Loomis

Officially Licensed poster for HALLOWEEN (1978).

24” X 36” SCREEN PRINT
Printed by VGK
Regular Edition of 175
Pumpkin Variant Edition of 100

AP’S COMING SOON

CLIENT: HARPER COLLINS PUBLISHING

Illustrated covers for Adam Cesare’s beloved horror book series.

”Clown In A Cornfield” (2019)
”Clown In A Cornfield 2: Frendo Lives” (2021)
”Clown In A Cornfield 3: Church of Frendo” (2024)

CLIENT: ELTON JOHN / COLLECTIONZZ

Official Los Angeles show poster for Elton’s final tour “Farewell Yellow Brick Road” Live at Dodger Stadium.

18” X 24” OFFSET PRINT
SOLD OUT AT THE SHOW

ARTIST SIGNED COPIES AVAILABLE SOON

CLIENT: BOTTLENECK GALLERY / DC / WARNER BROS

”They think I’m hiding in the shadows, but I am the shadows.” - The Batman

Officially Licensed poster for THE BATMAN.

THE BATMAN and all related characters and elements © & ™ DC and Warner Bros. Entertainment Inc. (s22)

REGULAR EDITION Screenprint of 325
VARIANT EDITION Screenprint of 150
ACRYLIC PANEL Print of 50

SOLD OUT

CLIENT: AdNEWS AUSTRALIA
AGENCY: ARCHIBALD WILLIAMS

Cover illustration for AdNews Australia August 2022 issue.

CLIENT: MÖTLEY CRÜE / COLLECTIONZZ

Concert poster for MÖTLEY CRÜE in Charlotte, NC
at Bank of America Stadium / June 28th 2022

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CLIENT: SHUDDER

Key Art for the second season of the Shudder Docu-Series CURSED FILMS II.

CLIENT: LIONSGATE

”Tequila is my lady!” - Steve Hadley

Teamed up with the good folks at LIONSGATE to create art for the 4K Ultra HD Blu-ray SteelBook for THE CABIN IN THE WOODS.

I love designing packaging that is modular and changes the art from one thing into another.

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Winner of a 2022 BRONZE Clio Entertainment Award for
Medium: Design Category: Packaging

CLIENT: COLLECTIONZZ / JOHNNY CASH

”When I hear that whistle blowin', I hang my head and cry” - Folsom Prison Blues

Limited edition art prints to commemorate Johnny Cash’s legendary performance at Folsom State Prison in Represa, CA on January 13th, 1968.

Regular Edition
Edition Size: 100
Print Size: 18" x 24"
Holographic sticker on back of print for authenticity

Copper Variant Edition
Edition Size: 25
Print Size: 18" x 24"
Holographic sticker on back of print for authenticity

REGULAR EDITION | BUY NOW
COPPER VARIANT EDITION | BUY NOW

CLIENT: SONY PICTURES

”You think this is the end of it, old man? I'm gonna open Cobra Kai dojos all over this Valley. Hell, I might even teach for free! From now on, when people say "karate" around here, all they'll mean is Cobra Kai karate.” - Terry Silver

Teamed up again for round 5 with composers of COBRA KAI and all around bad-asses, Leo Birenberg and Zach Robinson for the album cover for COBRA KAI SEASON V.

CLIENT: SONY PICTURES

”They strike first? We pre-strike!” – Johnny

Teamed up again with composers of COBRA KAI and all around bad-asses, Leo Birenberg and Zach Robinson for the album cover for COBRA KAI SEASON IV.

Keeping it metal, keeping it 80’s and keeping it bad-ass.

CLIENT: STUDIO CANAL (UK)

”I said why you pushing me? I haven't done anything to you.” - John Rambo

Teamed up with with STUDIO CANAL (UK) on this artwork in celebration of the 40th anniversary of RAMBO: FIRST BLOOD.

Artwork featured on the 4K Ultra HD Steelbook as well as promoted across the UK for a very special 4K theatrical release of FIRST BLOOD via Park Circus Films.

Alternate versions of the artwork were also released in screenprint format via MONDO and Nautlius Art Prints.

24 X 36 “ SCREENPRINT
REGULAR EDITION OF 250
VARIANT EDITION OF 82

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CLIENT: MAD DUCK POSTERS

”My love, precious jewel and noble wife. Severed, too quickly, too cruelly from this life. I alone remain to give delivery of your pain.” - Dr. Anton Phibes

The Abominable Dr. Phibes is a such an interesting film and one that took me far too long to finally see. I really felt inspired by the overall style and visuals of the film. The set design is amazing.

One scene specifically that really stuck with me was Phibes' post-murder ritual. The torching of the faces off of wax busts of his victims, leaving a hole where a visage once was.

I thought spinning it around to reflect Phibes would be such great symbolism for who he once was, and what he tragically became.

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CLIENT: COLLECTIONZZ

The art was inspired by a live performance I watched in my research for the piece of Willie performing this song at the Houston Space Center. The quote in particular that inspired the concept is printed on the reverse side of the print in gold metallic ink.

Officially Licensed by Willie Nelson
18” x 24” SCREENPRINT
EDITION OF 100

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CLIENT: PLAN 9 PRINTS / STUDIO CANAL

“It can’t be bargained with. It can’t be reasoned with. It doesn’t feel pity or remorse or fear. And it absolutely will not stop ever…until you are dead.” - Kyle Reese

THE TERMINATOR (1984) is terrifying. It leaned far more into the realm of horror than any of its sequels would. The T-800 is essentially a cyborg Michael Myers. I tried to capture that sense of relentless terror for my latest poster for THE TERMINATOR

Officially Licensed
24”x36” SCREENPRINT

REGULAR EDITION OF 250
“TERMOVISION” VARIANT EDITION OF 125

PRINTED BY DL

BUY NOW (AVAILABLE AS OF 10/25/2021)

CLIENT: ACTIVISION / CALL OF CUTY

MODULAR POSTER / LOGOTYPE DESIGN

This poster had to be approached from a totally different dimension in terms of how I usually work.

Every single piece of this puzzle had to be completely rendered separately so that the poster could be 100% modular. This allowed the client to move pieces around as they see fit. Everything was rendered completely, even what you don’t see in order to allow for reconfiguration on different platforms.

CLIENT: MONDO/DEATHWALTZ

Original television series score by Gustavo Santaolalla
Pressed on 140 Gram Oil Slick vinyl.
Numbered edition of 500.

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CLIENT: MONDO/DEATH WALTZ

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CLIENT: MONDO

”SEND IT TO THE INTERNET!” - Johnny Lawrence

I love this show. This poster was a total labour of love and I think it shows in the art. There is kind of a funny story as to how this came to be. Some interesting roads were taken to make it happen - but it all came together in a sort of serendipitous way. “Meant to be” as they say.

24” X 36” SCREENPRINT
EDITION OF 175
PRINTED BY DL

SOLD OUT

CLIENT: VOLKSWAGEN / DDB (2021)

Horror poster parody marketing campaign for the new Volkswagen Tiguan in Australia.

CLIENT: COLLECTIONZZ

”I've come on a few years from my Hollywood Highs. The best of the last, the cleanest star they ever had” - “Cracked Actor” David Bowie

My officially licensed tribute to David Bowie’s final performance as Ziggy Stardust at the Hammersmith Odeon in London, 1973.

I couldn’t pass up the opportunity to work on something Bowie related. He inspires such wonderful, stellar imagery and I wanted to capture him in all his celestial glory in an often understated look...donning this iconic cloak designed by Japanese fashion designer Kansai Yamamoto.

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CLIENT: T+E / TRAVEL CHANNEL

Official Key Art for Season 2 of Hotel Paranormal (2021).

CLIENT: MONDO

”My name is Dennis Caleb McCoy.” - Dennis Caleb McCoy

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CLIENT: MONDO

Johnny Lawrence : All right, great. Just make sure the Cobra Kai snake comes in at the end, all right? I want it to really pop. Make it chrome. And throw "Thunderstruck" under it.

Aisha : I'm pretty sure the rights for that song will cost too much.

Johnny Lawrence : No, I already own it. Cassette's in the car.

Okay so I could literally go on about this forever. I had such a time creating this artwork.

Working right alongside the genius that is Leo Birenberg & Zach Robinson, composers of the show - was such a blast. This project was such a labour of love and you could feel it the whole time.

It’s worth noting the incredible, iconic art of Hiroshi Nagai was the inspiration for the Miyagi-Do LP.

BUY NOW

Winner of a 2022 BRONZE Clio Music Award for
Medium: Design Category: Packaging

CLIENT: SUPER7 / REACTION

”Souls…don’t…die.” - The Iron Giant

The most fun part about making this was knowing this might be the coolest thing my kids ever think I do.

COMING 2021 HERE

CLIENT: ACTIVISION / CALL OF CUTY

MODULAR POSTER / LOGOTYPE DESIGN

This poster had to be approached from a totally different dimension in terms of how I usually work.

Every single piece of this puzzle had to be completely rendered separately so that the poster could be 100% modular. This allowed the client to move pieces around as they see fit. Everything was rendered completely, even what you dont see in order to allow for reconfiguration on different platforms.

CLIENT: SUPER7

”Take your pick, B-b-b-Billy boy!” - Pennywise The Clown

One of the first packaging designs I’ve done for the good folks at SUPER 7 For their ReAction Figures series. Sometimes its nice not to overthink art and just create something simple and direct that…(insert balloon pop sound) POPS!

Coming Fall 2021 HERE.

CLIENT: MONDO/WWE

I caught a face full of Molson at a Toronto WWE House Show in '99.

I acquired the tickets from my Catholic elementary school, supplied to the school by the janitor. They were awarded to a random classmate over the morning announcements who knew nothing about wrestling. His strict God-fearing parents refused to let their son attend a wrestling event, but had no qualms about making him peddle the free tickets around the school for money. My dad would only give me $25. The transaction was secured at lunch. I got to see Stone Cold that night with my dad... and my classmate is surely still reciting Hail Marys.

This quote the Texas Rattlesnake himself sums up why this poster exists better than I ever could:

”Put an S in front of 'Hitman,' and you have my exact opinion on Bret Hart.” - STONE COLD STEVE AUSTIN

REGULAR EDITION OF 200
24 X 36 SCREENPRINT
VARIANT METALLIC EDITION OF 100
24 X 36 SCREENPRINT
PRINTED BY DL SCREENPRINTING

CLIENT: BOTTLENECK GALLERY

”Don't you see? We're the same. We're the same... Split right down the center.” - Bruce Wayne / The Bat

Officially Licensed / DC Comics / Warner Brothers

24" X 36" SCREENPRINT w/ Transluscent inks
REGULAR EDITION OF 175
VARIANT EDITION OF 75

CLIENT: COLLECTIONZZ / PANTERA

”My trust is in whiskey and weed and Black Sabbath…its goddamn ELECTRIC!” - “GODDAMN ELECTRIC” from the album REINVENTING THE STEEL (2000)

This song explodes. The moment I first heard it, so did my head.
I interpret this song being about finding salvation in music and happiness in the little things. At the end of the day, regardless what the world throws at you - you always have whiskey, weed…and Pantera.

DIRT EDITION
FIRE EDITION
STEEL EDITION (FOIL)

18 X 24 SCREENPRINT
PRINTED BY SEIZURE PALACE

CLIENT: MONDO

”You can not kill that which is already dead.” - The Undertaker

There are infinite iconic matches throughout WWE’s history. However, given the opportunity to pay tribute to an Undertaker match I had to choose 1996’s BURIED ALIVE: Undertaker vs Mankind match.

As a kid this match was so surreal and the aspect of (spoiler) UT being actually buried alive only to burst from the grave revived by a bolt of lightning to the grave was so incredible.

Nostalgia is everything with wrestling.

24 X 36 SCREENPRINT
PRINTED BY DL SCREENPRINTING
REGULAR EDITION OF 200
VARIANT EDITION OF 100

CLIENT: MONDO

”Victims, aren’t we all?” - Eric Draven

What can be said about THE CROW and the late, great Brandon Lee that hasn't already been said?

I'm not sure I could find existing words that can describe just how impactful this film is. The best way I can pay tribute to a film and person like this is to try to capture their spirit through illustration, honoring a film and character just as gripping and poignant today as they were 26 years ago.

24 X 36 SCREENPRINT
PRINTED BY DL
REGULAR EDITION OF 225
B/W VARIANT EDITION OF 125

“I send this smile over to you…”

This is the song that changed my life.

It was summer, 1994.
I saw the video for “Disarm” on Much Music (Canada’s MTV).
I was deeply enthralled with the song. Although I was years too young to comprehend what the song was about or what the words even meant, there was a sonic soul connection to it.
It was the first time I ever “felt” music.

I had to have that song. I had to hear it again. I was shopping with my aunt at the local mall. We went to a record store to buy my first ever album with my own money. I presented the album Siamese Dream in one hand with the small allowance I was given from my mom in the other to my aunt. As hip as my aunt was, she was not about to risk the wrath of my mother for letting me buy an album with a song titled “Silverfuck” on it.

Crushed, I kept flipping through SP’s available discography and came across a thin jewel case with a crude sketch of what looked like a clown face on the cover with the word SMILE etched underneath. I turned it around and read the 3 songs available on this single. “Soothe”, “Blew Away” and “Disarm”. My aunt’s expression turned crooked at the cover art - but she succumbed to my plea.

That night, lights out, Discman in hand - I listened to “Disarm” on repeat - over and over and over until I fell asleep.

At such a young age for a song to draw so much emotion is so profound to me. To this day, that song makes me feel the exact same way it did 26 years ago. For a kid who always felt a little different than everyone else, this song was and is still a warm blanket.

That following morning I decided to pick up a guitar.

NOTE: I eventually inconspicuously bought Siamese Dream a few months later. I took the album home and using a white out strip, blocked out the FUCK portion of “Silverfuck” incase my parents ever got their hands on it.

CLIENT: MONDO

"The useless drag of another day. The endless drags of a death rock boy.”

These are the opening lyrics to "Here Is No Why" from the Smashing Pumpkins' monumental album Mellon Collie & the Infinite Sadness. It’s just one of many examples that line up eerily perfect when played in sync with SCOTT PILGRIM VS THE WORLD.

Coincidence? Maybe.

Either way, this poster is a tribute to a film I love, an album that shaped me, and to all grand and eccentric ideas that challenge the ordinary.

THREE EDITIONS:
24 X 36 SCREENPRINT
PRINTED BY DL SCREENPRINTING

PINK HAIR
EDITION OF 108

GREEN HAIR
EDITION OF 108

BLUE HAIR
EDITION OF 108

SOLD OUT

CLIENT: MONDO

Bill:
*Reading from book of philosophy* “…The Only True Wisdom Consists In Knowing That You Know Nothing.”

Ted:
”That’s Us, Dude!”

I never in my life thought I would ever get to create official art for the Bill & Ted films. When I actually did, I never even imagined there would ever be another chance to revisit them a second time. To be able to revisit these films again was pure, pure joy and very much scratched an itch that needed scratching. I have MONDO to thank for that.

This poster was created as a companion piece for my MONDO poster for Bill & Ted’s Bogus Journey. You cant have one without the other!

24”X36” SCREENPRINT
W/ SPOT VARNISH INKS
EDITION OF 225

CLIENT: MONDO

Dead Bill:
”Hey, you wanna play 20 questions?”
Dead Ted:
”Okay! I got one!”
Dead Bill:
”Are you a mineral?”
Dead Ted:
”Yeah.”
Dead Bill:
”Are you a tank?”
Dead Ted:
”Whoa! Yeah!”

If you know me at all, you know me for my love of The Smashing Pumpkins and my love of Bill & Ted’s Bogus Journey.

Thats it.

…And Im totally fine with that.
It absolutely blows my mind that I’m given the opportunity to create (again) artwork for the film that quite literally carved the path of my life - Thanks to my most outstanding friends at MONDO. I can trace everything I do now back to Bogus Journey. I could quote it verbatim as a child and still cant watch it with most people unless it has their complete and devoted attention.

It never ceases to evoke total shock and awe in others from how incredibly ahead of its time this film was. Completely original, beautifully shot and brilliantly written.
It has my favorite and one of the most epic scores of all time (expertly composed by David Newman). The Soundtrack is balls to the wall 80s metal and makes my hair stand on end anytime I listen to it.

Music saves.
Be Excellent To Each Other.

M.

24”X36” SCREENPRINT
EDITION OF

CLIENT: MONDO

Ted: “We’re not sure if this is going to be the song that unites the world.”

Bill: “…But we’re pretty sure it might.”

Whoa.

What can I say about Bill & Ted that I haven't already? The first two films shaped my childhood, inspired me to be a musician (to some measurable success) which

would inevitably pave the path to every creative venture I would pursue. You can actually trace it all right back to the ending of Bogus Journey. No, Im not joking.

I've been waiting 30 years for @alxwinter & Keanu Reeves to travel through time again and save the universe. Thats a LOT of pressure to put on a film.

It delivered more than I could ever have hoped.

To say I've been lucky enough to work on art for these films would be an understatement. I actually have difficulty wrapping my brain around it.

Making the poster for Face The Music was both a fulfilling and somewhat somber experience...as all excellent things must come to an end...but dude, what a riff to end on.

Thank you to MONDO for all these incredible paths they’ve paved for me as an artist and human.

24” X 36” SCREENPRINT
EDITION OF 225
PRINTED BY DL

CLIENT: ACTIVISION

For this project I teamed up with MONDO and ACTIVISION on key art for their MODERN WARFARE / WARZONE Event: HAUNTING OF VERDANSK.

CLIENT: MONDO / MICROSOFT

”STEP INSIDE.”

MONDO and I teamed up with Microsoft, to create a limited edition poster for HALO: INFINITE.

24” X 36” SCREENPRINT
EDITION OF 325
PRINTED BY DL SCREENPRINTING

BUY NOW

CLIENT: COLLECTIONZZ

FROM COLLECTIONZZ:

”Iconic by Collectionzz is releasing an official poster for Elton John for his historic concert at Dodgers Stadium in October 1975, which was recently featured in the movie “Rocket Man.”

The poster was illustrated by Matt Ryan Tobin, who discussed the poster with them. “I wanted the poster to feel like it could've been used to promote the show in 1975.” Matt researched vintage baseball card designs to create the poster's unique look, fusing that influence with his subject’s distinct aesthetic. “There were bones there to work with that I took note of but at the end of the day the card design needed to be elevated with that Elton style and flare.” Keen observers may notice the reflection of a rocket ship in John’s glasses. The subtle addition was Tobin’s nod to the classic tune “Rocket Man.” "I try to incorporate something subtle in all of my work that you might not see at first glance," the artist admits. "The baseball card composition needed just a little something more. A wink, if you will. Even the flashes of the cameras intentionally bleed into the sky with the stars; the entire feeling is cosmic in nature...which was the direction that was always at the forefront of my mind.” “

Main Edition - $75
Officially Licensed by Elton John
Size: 18" x 24"
Holographic sticker on back of print for authenticity
Paper: Pearl Metallic
Edition Size: 300
Four Color Screenprint w/ glaze
Markings: Hand Numbered

Shining Sequins Foil - $125
Size: 18" x 24"
Holographic sticker on back of print for authenticity
Paper: Shining Sequins Foil
Edition Size: 250
Three Color Screenprint
Markings: Hand Numbered

Chase Variants: Iconic by Collectionzz will be adding extremely rare Chase Variants to 25 random orders, including holographic rainbow foil, sparkle foil, and a stars foil

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CLIENT: BURNING WITCHES RECORDS

This collection of composed scores by Deadly Avenger and Si Begg (Trailer composers of Hereditary, Midsommar, and Parasite.) is incredible. The entire concept came to me purely by listening to it.

What came to mind was a dark forest.

I heard very woodsy tones and wood instrument type sounds throughout. Very ghostly, witchy and evil but yet ethereal.

I questioned what beings could be making these sounds and imagined translucent, witch-like figures floating through the dark wood running their arms, hands and fingers against the trees and their branches; almost plucking at them like the strings of cracked, old, dead stringed instruments.

Yet, coupled with these natural sounds are modern electronic sounds . So I want these figures to radiate a sort of other-worldly glow…to look almost digital.

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CLIENT: MONDO / AMAZON PRIME

”This is not murder. This is Mitzvah.” - Meyer Offerman

Created for Amazon Prime’s Original Series HUNTERS (2020).

24”x36” SCREENPRINT
EDITION OF 100
PRINTED BY DL SCREENPRINTING

BUY NOW

Winner of a 2021 SILVER Clio Award for
Television/Streaming: Key Art Craft
Category: Illustration

CLIENT: PRIVATE COMMISSION

The Smashing Pumpkins are what I consider to be one of, if not the most visually stimulating band…possibly ever. This came across always in their music videos which always felt more like beautiful short films rather than a promotional visual…that is no different for the stunning video for “Stand Inside Your Love”.

The final shot of this video cued by that explosive, tragic last E Minor chord still rattles my bones and stays with me long after. I wanted to capture that moment and hold it.

Conceived by Billy Corgan and director W.I.Z., its Inspired by the brilliant illustrations by artist Aubrey Beardsley featured in the famous play Salomé by Oscar Wilde. Actual fragments of line work and patterns are strewn throughout the video, I kept those prominent in the poster as well.

I cant tell you how many times I’ve listened to this song. What I can tell you is how each time I do - it still packs a guttural blow to my senses.

I’ll keep my interpretations to myself but theres a lot to be taken from this snippet of Billy’s insight about the song:

”…it all just came out in this stream of consciousness. To talk about what this song is about…it's probably one of the only love songs I've written.” - Billy Corgan

CLIENT: BOTTLENECK GALLERY

”A kiss can be even deadlier if you mean it…” - Selena Kyle

Without fail, when I watch Returns and this scene approaches - I get a sinking feeling in my gut.

I can't help but feel frustratingly helpless as this potentially sets up a romance for the ages between Catwoman and Batman.

For a moment, we catch a glimpse into what could have been...and then its abruptly ripped away from us. Is there a worse feeling?

Every time I watch this film I cant help but find myself always hoping it will be different this time...but the outcome is forever carved into celluloid.

Perhaps by freezing this cordate moment, I can keep it."

18” x 18” FINE ART GICLEE
Edition of 100

SOLD OUT

CLIENT: PRIVATE COMMISSION

One of the most transcendent bands of all time.
One of the most incredible music videos ever made.
One of the most timeless songs ever written.

I tried to keep Georges Méliès (A Trip to the Moon) iconic aesthetic that heavily inspired this video, intact.

Masterfully created/directed by Jonathan Dayton and Valerie Faris
(1979, Freak On A Leash, Little Miss Sunshine).

This is my tribute to a song that was an integral part of my musical and artistic cultivation and is now a song I play on guitar and sing to my kids every single night before bed.

The song, which I interpret to be about the pursuit of your dreams, I hope resonates with them as much as it did me.

”The Impossible is Possible, tonight.”

24” x 36” SCREENPRINT
NOT FOR PUBLIC SALE

24” X 36” SCREENPRINT
PRINTED BY DL SCREENPRINTING

48 HOUR TIMED EDITION
HAND NUMBERED AND SIGNED

SOLD OUT

24” X 36” SCREENPRINT
PRINTED BY DL SCREENPRINTING

48 HOUR TIMED EDITION
EDITION OF 225
HAND NUMBERED AND SIGNED

SOLD OUT

CLIENT: MONDO

”We’re not machines, you metal motherfucker.” - Sarah Connor

Without having seen the film, I was faced with the challenge of telling its story in a single visual. I found what hadn’t really been represented in any previous posters for these films was in fact, who the story has always been about: Sarah Connor. The story of how the hunted became the hunter.

24” X 36” SCREENPRINT
EDITION OF 150
PRINTED BY DL SCREENPRINTING

SOLD OUT

CLIENT: MONDO

“I didn't want you to be like me. I'm mad, I'm still fucking mad, it's burned a circuit in my brain.” - Erin Bell

36” x 24” SCREEN PRINT
EDITION OF 150
PRINTED BY DL SCREENPRINTING

BUY NOW

CLIENT: SHUDDER / FIRST LOVE FILMS

Created for the Shudder original Documentary Series CURSED FILMS.

CLIENT: HORRORHOUND MAGAZINE

”Be my victim” - The Candyman

Commissioned by Horrorhound Magazine for HORRORHOUND WEEKEND CINCINNATI 2020.

18”x24” SCREEN PRINT
GOLDEN METALLIC PAPER
EDITION OF 150

CLIENT: SNAPPER FILMS

Key Art for the short film MIDNIGHT SNACK (2020)

CLIENT: MONDO / DEATH WALTZ RECORDINGS

”Down the dark decades of your pain, this will seem like a memory of Heaven.” - Pinhead

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CLIENT: MONDO / DEATH WALTZ RECORDINGS

Special Edition LP Boxset Slipcase with Gold Embossed Spine available with purchase of MONDO / Death Waltz pressing of HELLRAISER III: HELL ON EARTH Original Motion Picture Soundtrack LP.

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CLIENT: MONDO / DEATH WALTZ RECORDINGS

”But please, feel free, explore. We have eternity to know your flesh.” - Pinhead

PURCHASE LINK COMING SOON…

CLIENT: BOTTLENECK GALLERY

24”X36” SCREEN PRINT
REGULAR EDITION OF 200
VARIANT EDITION OF 100

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VARIANT EDITION | BUY NOW

CLIENT: MEXICUTIONER PRODUCTIONS

FILM WEBSITE

CLIENT: ACTIVISION

Exclusive poster available only through GameStop pre-orders of Call of Duty®: Modern Warfare®.

CLIENT: ARROW VIDEO

LIMITED EDITION DELUXE 3-DISC BLU RAY BOXSET

AVAILABLE FOR PURCHASE HERE

CLIENT: HE IS LEGEND

Write up coming soon…

Centerfold watercolor and polaroids by Schuylar Croom
Handwritten Lyrics by Schuylar Croom

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CLIENT: MONDO

AVAILABLE AT TEXAS FRIGHTMARE WEEKEND 2019

24”X36” SCREENPRINT
EDITION OF 250
PRINTED BY DL SCREENPRINTING

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CLIENT: MONDO

”I thought you were true Norwegian black metal.” - VARG

I've been a huge admirer of Jonas Åkerlund from the moment I saw his music video for Metallica's 'Turn The Page.' Years later, I'd learn his name (and never forget it) when he'd helm an incredibly nightmarish and tragically beautiful drug-induced short film for The Smashing Pumpkins' song 'Try, Try, Try' forever cementing him as one of my favorite directors. 

LORDS OF CHAOS was everything I wanted it to be and more. It weaves shockingly violent, funny and heartbreaking together flawlessly. This concept was eating at my brain from the moment I finished watching the film. Inspired by a scene in the film, on the surface it reads fairly straightforward: a crow perched on a cross amidst a burning stave church. But upon a closer look, something a little more evil comes into focus. Much love to Mondo for once again letting me run with a crazy idea for a crazy film."

24” X 36” SCREENPRINT
PRINTED BY DL SCREENPRINTING
REGULAR EDITION OF 175
VARIANT EDITION OF 100

REGULAR EDITION | COMING SOON
VARIANT EDITION | COMING SOON

CLIENT: FRANCIS GALLUPPI

Poster created for indie short film “THE GEMINI PROJECT”

18” x 24” SCREEN PRINT

WEBSITE

CLIENT: MONDO

"“For-ev-ER… For-ev-ER… For-ev-ER” - Michael 'Squints' Palledorous

36” X 24” SCREENPRINT
EDITION OF 225
PRINTED BY DL SCREENPRINTING

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CLIENT: HORRORHOUND MAGAZINE

”I just lost my happy thoughts there for a second.” - Louis Creed

Magazine cover illustration and limited edition art print for HorrorHound Magazine’s March/April 2019 issue.

18” x 24” SCREEN PRINT
WITH GLOW-IN-THE-DARK INKS
EDITION OF 150

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CLIENT: MONDO

“I didn't want you to be like me. I'm mad, I'm still fucking mad, it's burned a circuit in my brain.” - Erin Bell

Pressed on 180 Gram Clear with Purple Die-pack Splatter.
Limited to 500 copies.

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CLIENT: BOTTLENECK GALLERY, NEW YORK

“Life’s a Bitch. Now so am I.” - Selina Kyle / The Cat

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Officially Licensed / DC Comics / Warner Brothers
24" X 36" SCREENPRINT w/ Transluscent inks
REGULAR EDITION OF 175
VARIANT EDITION OF 75

CLIENT: MONDO

”……………”

REGULAR EDITION | BUY NOW
VARIANT EDITION | SOLD OUT

Once my soundtrack artwork for A QUIET PLACE was completed MONDO suggested making a poster. I really loved the interior gatefold image but I also felt it needed a little something extra.

The original intent for the artwork was so have a consistant soundwave flowing throughout every panel leading to the farm composition where the red bulb string lights continue that path, lens flares mimicking sound waves.

I decided to create some more depth of field by adding more bulbs in the foreground. But then heres the kicker, I cant remember who’s idea it was, MONDO’s or mine but we decided the aim was to make the bulbs glow in the dark on the Variant…glow in the dark…RED.

The folks at DL Screenprinting were able to work some science and magic and make this a reality for the first time ever on a screen printed poster.

36” X 24” SCREENPRINT
REGULAR EDITION OF 275
RED GLOW IN THE DARK VARIANT EDITION OF 125
PRINTED BY DL SCREENPRINTING

CLIENT: MONDO / DEATH WALTZ RECORDINGS

”…….” - Lee Abbott

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Im very proud of this project. I saw the film opening week at the local cinema and was completely floored. I couldnt tell you the last time I felt so much tension and palm sweat from watching a film. When MONDO approached me to create the soundtrack artwork, my mind flooded in with ideas but I knew my goal was to create something dark, minimal, and tense.

The idea to streamline a sound wave throughout the artwork allowed me to tell a story with very simple visuals but a lot of substance within them. A family living in isolation is being hunted by…something.

My two favorite things about this artwork is how the sound wave transforms into the red string lights that frame in the farm, with the lens flares off the bulbs mimicking the amplitude increasing.

The second thing, originally intended to be the cover is the sound wave that resembles a large mouth filled with vicious teeth; so loud its clipping way beyond the limits. If you follow the artwork, it reads as if the mouth is coming up behind the family.

I owe a huge thank you to Justin Erickson at Phantom City Creative for his guidance on this.

M.

CLIENT: ADAPTIVE SERIES

Poster for the web series PALOMINO & SWISSY.

CLIENT: 1984 PRODUCTIONS

POSTER | BUY NOW
VINYL SOUNDTRACK | BUY NOW

CLIENT: SMOKING SECTION FILMS

Poster for the indie-horror film DEATH TO METAL.

CLIENT: MONDO / DEATH WALTZ RECORDINGS

MADMAN Original Score
2XLP

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CLIENT: TRANCAS INTERNATIONAL / HORRORHOUND MAGAZINE

”I spent eight years trying to reach him, and then another seven trying to keep him locked up, because I realized that what was living behind that boy's eyes was purely and simply... evil.” - Dr. Samuel Loomise

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When HorrorHound Magazine approached me to create the official poster for the 40th Anniversary of Halloween this was the immediate concept to spring to mind. Little did I know that the concept of showing linear time passing in the visage of Michael Myers was something HH and Trancas Intl were both wanting and I had already dreamt up.

The goal was to show 40 years without being as blunt and just illustrating a slew of scenes from the franchise into a collage. I wanted a bold, somber image of the iconic mask deteriorating…the “hook” being the rotting/peeling latex turning into fall leaves being carried away in a wind.

Note: I’ve never seen Infinity War.

REGULAR EDITION OF 350
18” X 24” SCREENPRINT
On French Paper Co. Orange Fizz

CLIENT: MONDO / MARVEL

”Eyes! Lungs! Pancreas! So many snacks, so little time!” - Venom

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VARIANT EDITION | BUY NOW

Growing up I read a lot of comics but much akin to my love of horror I was always most attracted to the anti-heros. Characters that were shroud in darkness or looked more like villians (and some times were) always seemed to have more layers to them, more depth: Ghost Rider, Lobo, Spawn to name a few.

But no one was more bad ass than Spiderman’s arch nemesis…VENOM.

Still one of my favorite comic series’ to date is the 1994 4-part series VENOM: CARNAGE UNLEASHED. Specifically, the cover artwork on pt 3 by Andrew Wildman. I used to attempt to draw this cover over and over as a kid. So when MONDO reached about creating a poster for the stand-alone film I didnt hesitate for a second. I drew Venom on everything as a kid and now I was being called on to draw Venom for MARVEL.

Speechless and choked up and forever grateful.

If my 10 year old self only knew.

24" X 36" SCREENPRINT w/ spot gloss “spit”
REGULAR EDITION OF 300
VARIANT EDITION OF 150

CLIENT: MONDO

"Wise man say: 'Forgiveness is divine, but never pay full price for late pizza.' " - Michaelangelo

In 1990 I wasnt even in kindergarten yet. That didnt stop me from becoming absolutley obsessed with the Teenage Mutant Ninja Turtles just like every kid on planet Earth. My 3rd birthday was 100% TMNT themed from every gift I received (including a Raphael Bolo Tie. I shit you not. Dont believe me?) to the wrapping paper, to the cake - I was completely enthrawled with green, mutagen-enhanced, half-shelled, new york born-and-bred yet with californian vinacular...super heroes.

Needless to say when MONDO approached me about a TMNT gallery show, I could NOT pass it up.
The first time we spoke about TMNT I was actually pitched Secret of The Ooze, the not-so-dark-but-still-awesome 1991 sequel, I think. The concept never made it passed napkin sketch stage, which in retrospect Im very pleased didnt come to fruition, otherwise this poster wouldnt exist.

Other than the idea of the focus of this poster being on The Shredder, the composition its pretty self explanatory. My intention, however was to have Shredder and his cape cast somewhat of a looming darkness over New York City. The introductory scene to Shredder in the film is utterly fucking bad ass. Still to this day. Its shot beautifully to boot. From the long shadow he casts in the warehouse, to his Vader-esque dialogue, to his sheer larger than life terror. This was no cartoon, as the original one-sheet would warn you. This was a dark look into the underbelly of (albeit fictional version, but not far off) New York City and troubled youth in the late 80s/early 90s...with walking, talking turtles with martial arts mastery.

All seriousness aside, this movie is fun as hell. Its the fucking Ninja Turtles, dude.
This was a nice stroll down Nostalgia Blvd and a trip I will gladly take again and again.

TEENAGE MUTANT NINJA TURTLES: THE MOVIE
Created for MONDO
Heroes in a Half Shell: A TEENAGE MUTANT NINJA TURTLES Celebration
August 17th, 2018 at MONDO Gallery

24" X 36" SCREENPRINT
REGULAR EDITION OF ____
JAPANESE VARIANT EDITION OF ____

CLIENT: MONDO

"First, we must observe the ancient ritual of the, uh, uh... traditional pre-fight donut!" - Leonardo

So there was originally no intention of creating a matching companion poster for TMNT: The Movie. Although after completion of the first film's poster it was suggested from one of my favorite dudes and one of Mondos Art Directors Mitch Putnam to give the sequel a shot with a mirroring/matching composition. I did and am beyond happy we did. Originally I had pitched an idea for Secret Of The Oooze before anything else but it fell flat, as some concepts do...that was a good thing. 

For years I told myself that the sequel to the original TMNT movie was my favorite/more superior. That may have been so as a kid but fuck is the first film ever a banger. I think the second film played more to my age at the time it was released. It was a lot less dark, more akin to the cartoon turtles as kids we all fell in love with. Reflecting now, the first film is by far more my jam. I still love SOTO with everything in me but you really cant compare the two as their intentions from the beginning were to be two different things.

I think tonally I was able to capture the silliness of the sequel just simply by featuring Tokka and Rahza and the glow in the dark ooze cannister. It adds a little lighthearted-ness and fun to a composition that was methodically composed to be dark and brooding. Oh also, Vanilla Ice lurks somewhere in the shadows.

GO NINJA! GO NINJA, GO!

TEENAGE MUTANT NINJA TURTLES II: THE SECRET OF THE OOZE
Created for MONDO
Heroes in a Half Shell: A TEENAGE MUTANT NINJA TURTLES Celebration
August 17th, 2018 at MONDO Gallery

24"x36" SCREENPRINT w/ GLOW IN THE DARK INKS
REGULAR EDITION OF ____
JAPANESE VARIANT EDITION OF _____

CLIENT: PRIVATE COMMISSION

“How should I prepare? Should I jump off the tallest building in the world? Should I lie on the lawn and let them run over me with lawnmowers? Or, should I go to Africa and let them trample me with raging elephants?” - Warrior

NOT FOR SALE

RIP James Brian Hellwig aka WARRIOR

I fell in love with wrestling at a vary young age. Im not sure when or where or how but something tells me my father (who resembles a wrestler himself and was a Gold’s Gym member in the 80s) is responsible. By the age of 3 I was obsessed with the likes of Hulk Hogan, Ultimate Warrior and ‘Macho Man’ Randy Savage.

I was SO young that I dont even recall actually attending WrestleMania 6 in Toronto at the (still in my mind) Skydome. There isnt so much as a single photo either. Disposable cameras were still a relatively new thing and I imagine my dad didnt even know they existed.

Long story short, WWF (up until nWo/WcW days) was my life blood and these characters were and still are to me larger than life itself legends. Their personas have transcended so many generations and continue to.

This was a love letter to my childhood and my dad and fans of these two iconic giants.

24” X 36” SCREENPRINT
PRINTED BY VG KIDS

CLIENT: DECOY FILMS

”LONG LIVE THE MOTHERLAND!”

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Inspired by authentic vintage Swiss Alps tourism posters with a dash of 1970s exploitation / grindhouse cinema, and the product is the official poster for the first ever Swissploitation film - MAD HEIDI.

This poster was a lot of fun and allowed me to step outside the box with some new techniques in digital painting to harness the style and era I was trying to capture. 

I had very little to go on here, only as far as a teaser 'pitch' trailer but it was more than enough to to be able to channel the overall style.

REGULAR EDITION OF ___
24" X 36" SCREEN PRINT

CLIENT: WAXWORK RECORDS

”You better watch out for the snake that's going to crawl up that crapper and bite your ass.” - Anita

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This was so much fun. This cover is one of my favorite illustrations I’ve done. Mainly because I think I successfully executed an authentic looking 80s album cover.

The film doesnt feel like a F13 film. Its colder, its detached and it feels like its missing something, and it is…Its missing Jason Voorhees.

What separates F13 pt 5 from the rest (aside from Jason Goes To Hell, which we wont talk about) is that Jason Voorhees isnt dawning the mask. Jason is very much dead. Its an imposter copycat (vengeful paramedic Roy Burns) recreating the Lake’s now morbidly legendary past, masked as the iconic killer to get away with it.

Seems like both Roy and the studio behind the film had the same goal.
What we’re given is an off-beat entry in the series that remains one of the more bizarre slasher sequels of its time.

That also makes this film fucking cool.

I made a point to make the artwork feel as unfamiliar as I could. There is a huge lack of color, woodland textures, lake in sight. By replacing his iconic machete with garden shears I wanted it to feel disconnected from the other films as it very much is.

CLIENT: THIRD MAN RECORDS



Its been quite sometime since I have done a gig poster.

It was such a pleasure to be able to create something for Jack White.
Luckily I was able to bring this to life with the always intrinsic guidance of the art director's Art Director,  Mr. Rob Jones of MONDO and AnimalRummy.com fame.

I respect the hell out JW as a musician...I also appreciate his dedication and vision. He has a very specific eye for what he puts out into the world and I can very much relate both as a musician myself, and from an artists standpoint. Dude is one hell of a fucking talent.

Really looking forward to hopefully working with him again.

18"x24" SCREENPRINT
REGULAR EDITION OF:
"QUEBECOIS" VARIANT EDITION OF:
EXCLUSIVE ARTIST EDITION OF: 50
ART DIRECTION: ROB JONES

AVAILABLE ON TOUR NOV 2018

CLIENT: MONDO

"Thats a lot of milkmen on the same route...no wonder they fight." - Elijah C. Skuggs

If you had told me at some point in my life I would get the opprtunity to design a new poster for Alex Winter's 1993 acid-infused comedic masterpiece 'FREAKED' I'd say "HA! Yeah, right...and Keanu Reeves will choose what some ill-advised suits would consider career suicide and take an uncredited role as a dog-boy in a film for a dear friend at the a high point in his career post the greatest surf-cop action film of the early 90's and a co-starring roles alongside the legendary likes of Oldman, Hopkins and Abdul."

Pigs flew apparently!

I love Alex Winter and I love this movie. I tried some new techniques and digital brushes on this poster. I really wanted the poster to scream...excuse me...wretch 90's MTV Freakshow Carnivale (whatever that means) and have a tinge of David Daniels aesthetic as seen in the opening titles. Thick, messy clay-like brush strokes with pops of gross, unsettling colors.

Once again, MONDO making dreams come true.
#DreamsComeTrueWithMondo

18" X 24" SCREENPRINT
EDITION SIZE: 175

SOLD OUT

CLIENT: POST NO JOES / GRUMPY JONES PRODUCTIONS

2018 SHORT FILM
Directed by ASHLEA WESSEL
CLIENT: GRUMPY BONES PRODUCTIONS / POST NO JOES PRODUCTION

CLIENT: PRIVATE COMMISSION

"How 'bout a bumper sandwich, Boogerlips?" - Ernest P. Worrell

NOT FOR SALE

I always thought I was alone in being a huge fan of the Ernest movies. 
Maybe more so the character of Ernest and maybe even more so mainly Ernest Scared Stupid. Everyone I ever met couldnt care less about it/him, it seemed or just werent familiar at all. I laugh at every single thing he ever says to a debilitating degree. Jim Varney was a treasure. 

So when the opportunity arose to make a poster for one of my (still) all-time favorite childhood Halloween films I couldnt turn it down. A movie of this caliber would surely not see any kind of poster any time soon - if at all - and I wanted to be the one to tackle it. This poster has been in the works on and off for over a year, kind of working on it when I could kind of thing and I think it came together great in the end...needed the time. The concept isnt ground breaking by any means but I felt this poster was going to hold water all in how it was rendered.

I approached illustrating this poster a bit differently than anything else. This is a children's movie (albeit a quite terrifying one) from the 90s and I wanted to make it feel a little more surreal and exagerrated and fun. I did this entire poster in a digital painterly style using mostly brushes and very, very minimal keylines to keep things round, smooth and create more depth. I exagerrated forms and sought out a color palette I could see on a poster from that era. 

This was a huge learning curve for me as far as my tecnique goes. I've been finding myself slowly veering away from flat color and black keylines as of late and really enjoying the freedom and relaxed feeling that comes with playing with a more soft, painterly style. They're much more loose and forgiving. This approach is relatively new to me (other than a handful of pieces I painted in high school) and involved some trial and error which when working digitally, is quite merciful on your fuck ups. I also always held back on working with dithers in screenprinting for fear of poor printed results, really. Now that Ive become more comfortable working in dither/dissolve, I'm really enjoying this path and kind of throwing all caution to wind.

Couldnt be happier with how this came out. I feel like a kid when I look at it. This feels like something I would stare at in a Jumbo Video in the early 90's with my complimentary popcorn.

RIP Jim Varney. Thanks for all the laughs.

24"x36" SCREEN PRINT
W/ GLOW-IN-THE-DARK INKS
PRIVATE COMMISSION

CLIENT: PLAN 9 PRINTS

"This one night changes everything for me." - Samantha

Created for Plan 9 Prints, Ti West's THE HOUSE OF THE DEVIL is a perfectly painted portrait of late 1970s horror. He was able to capture the essence of an era that spawned game-changing horror in a whole new way and changed it forever. I wanted to give this film an authentic retro styled poster that feels like it came right out of the late 70's/early 80's.

There are a lot of horror movies where the house really plays an important character, itself. Nightmare on Elm Street, Halloween, Amityville Horror...I mean, House? So I wanted to bring this character to life on this poster. Being that the house is shrouded in darkness, I really wanted to make the tongue read exponentially digusting, slimey, and most of all, serpentine. Evil as all Hell.

Retro. Evil.

24 X 36 SCREEN PRINT
SOLD OUT

CLIENT: MAD DUCK POSTERS

"Don't be a good neighbor to her. I'll send you a love letter, straight from my heart, fucker! You know what a love letter is? It's a bullet from a fucking gun, fucker! You receive a love letter from me, you're fucked forever! You understand, fuck? I'll send you straight to hell, fucker!" - Frank Booth

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I completely immersed myself in this film while working on this piece. It played on loop for days in my studio. I listened to Blue Velvet, the song, countless times; it already being a song I love.
I really wanted to capture the beauty as well as the sadness of this film, but have a slight nuance of fear.
Jeffery peering through Dorothy's dress is meant to represent his first glimpse into her life but also he ultimately exposes her heart on a deep level, in a way setting her love free. Free of Frank's violent prison hold. The shape of the parting curtains is akin to that of a knife's blade, representing the danger and violent world Jeffrey is unknowingly about to walk into.

Blue Velvet is beautiful and violent. That juxtaposition always makes for thought-provoking imagery.
Creating a visual that balances both of those contrasting elements is the most fun to work on. I feel this is really common throughout all of David Lynch's works.
I really wanted to capture the themes of love, fear and most importantly, heartbreak. Hopefully striking just the right nerve in the same way that so many of Lynch's films do.

24" X 36" SCREEN PRINT
REGULAR EDITION OF 150
VELVET VARIANT EDITION OF 75
SILVER FOIL VARIANT EDITION OF 75
BONUS:
8" X 10" SCREEN PRINT
SINGLE EDITION OF 200

*ALL posters come with a free 'EAR' sticker seen above

CLIENT: MONDO

...You little SHIT! Do you know what you've DONE?! Its TOO LATE! I've spent too much time in this body...I'm fuckin' TRAPPED IN HERE!" - Chucky

Another one on the bucket list done. Wow. I can honestly tell you I never imagined Id get to make a licensed screen print for Child's Play 2...but then again Mondo has a way of making things happen. It blows my mind. This film was my introduction into horror...well kind of. Chucky coersed me into the horror section of my local VHS store as far back as I can remember. I think a lot of kids were intrigued by the thought of killer dolls, or afraid. I was both.

The original one sheet/ box cover for Child's Play 2 with the Jack-in-the-box is emblazoned in my head. Its still fucking creepy dude. I had to see it. The Child Play franchise was very much my gateway drug into horror early on (NOTE: The first 2 horror films I ever saw were Pet Sematary and Texas Chainsaw 2 back to back).

The idea behind this concept is a play on the films 3rd act in the Play Pals Factory. The factory very much turns into Chucky's twisted funhouse. I wanted Chucky's visage to read like a funhouse entrance youd see at a carnival or midway. Often a giant mouth as the entrance. I wanted to originally show ONLY the metal Good Guy Skull youd recall from the intro of the film, but Chucky is much more present and really the star of the show in this film and Mondo and I inevitably opted to make it more recognizable by revealing some of Chuckys face by way of melting latex creeping onto the metal skull...come back to life.

Made only available at Texas Frightmare Weekend 2018
24 " X 36" SCREEN PRINT
EDITION OF 225

CLIENT: WARNER BROS / MONDO

"Can you smell the circus, Georgie?" - Pennywise The Clown

One of my most challenging posters to date and thats a really good thing.

When Mondo pitched me the job for Warner Bros. early this year, I jumped at it...Hell, I pounced on the thing. Ive been looking forward to a new adaptation of one of my favorite Stephen King novels for quite some time. Everything surrounding this film showed promise and felt authentic and true to the original novel...and Pennywise looks incredible. I'm absolutley in love with this Victorian era garb and the overall porcelain doll-esque design. Tim Curry's Pennywise in 1990 (as iconic as it was) felt dated in an era that, as much as I love it, can be somewhat of a time capsule...which isnt always a good thing.

Anyways, I pitched a few rough concepts and this is the one that stuck. I'm really happy for that.
Its not perhaps the most conceptual or metaphorical composition I've done but I felt as long as I rendered it right, this more straight-forward concept can stand on its own. I tend to always lean in more conceptual directions with my film posters. 

The hardest challenge was letting myself let go of the idea of making something so cryptic; sometimes the delivery of something less complicated can be just as effective, it all boils down to how it reads in the end. I chose a composition we're kind of used to seeing because in a way it avoided most of the cliche directions we'd imagine a poster for IT going in the first place.

I was given nothing to go off but the teaser trailer and couple of stills made available to the public prior. So, youve got your artilery: Balloons, Sewers, Paper boat and a Kid in a raincoat. Thats the instant imagery someone thinks of when IT comes to mind...and really all I had to go on. Theres plenty of imagery in ITbut without concrete subject matter of the film itself to delve into, you have to keep it rather vague. I wanted to steer away from the sewers because I feel like Ive seen Georgie and/or Pennywise in a sewer conveyed in art countless times...albeit some great. 

Pennywise may use the sewers to slumber or travel but his dark, evil presence consumes the whole town of Derry. It influences everyone and everything in that town. I grew up in a town reminiscent of Derry, that was very white-bread and felt much like it was trapped in its own little bubble......bubble....balloon. I saw in my head Pennywise looking down into a red balloon at the town of Derry and the Losers' Club as if they are trapped in the bubble that is Derry. Pennywise isnt some creature in a sewer. Its a purely evil, malevolent force that consumes innocence and Derry is its feeding grounds.

M.

CLIENT: MONDO

"In time...everything will be alright" - Robbie Robb, "In Time"

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Its crazy how sometimes in life things come full circle...or perhaps full Circle K.
Yeah? No? Fair enough.

I think by this point anyone who knows me in any capacity, knows how impactful the Bill & Ted films have been on my life and continue to be. My mom often recalls frequently putting our VHS copy of Excellent Adventure on to keep me still; My ass glued to the floor and eyes fixated on the TV when I was getting on her last nerve, which happened to be pretty much every second of everyday apparently. Id sometimes watch the film on endless loop.

Even though Bogus Journey was the film that really opened my imagination and inspired me to pretty much do anything I did for the next 30 years of my life, Excellent Adventure was the doorway. It was the first. The music of these films ultimately influenced my choice to pick up a guitar and pursue music. One song from this soundtrack in particular was Robbie Robb's "In Time". It plays during the sequence in which Bill and Ted visit the futuristic temple. The song has always resonated with me and still gives me nostalgic chills. I must've put that song on every mixtape and rewritable CD I ever made.
Its mind blowing to me that 30 years later, I got the opportunity to create the artwork for a soundtrack that helped shape who I am today.

I figured unless the fountain of youth is unveiled sometime soon, chances are I (and most of us) wont live to see the year 2688 and get our hands on Wyld Stallyns debut album. I tried to create the next best thing I could.

I really have to thank Mo, Eric, Rob and the wonderful folks at MONDO for entertaining a fanboys obsession and dream and making it a reality. I owe them.

The new Mondo webstore exclusives version are pressed on either 180 Gram Blue and Orange Swirl, or 180 Gram Black, White and Red swirl, and featuring an OBI strip. 

Previously released 180 Gram Orange Vinyl, Limited to 1000 copies, is sold out.